IMPORTING INDESIGN INTO PUBCODER HOW TO
IMPORTING INDESIGN INTO PUBCODER UPDATE

That’s just the first explanation that comes to mind, I might be completely wrong here.Swipe the window to interact with the story. If there is only one background layer (showing up in italics in the layers panel), I suppose Photoshop only writes the flattened version into the file, whereas if you unlock and smart-objectify that layer, it’s a regular layered PSD and Photoshop writes the flattened version *and* the smart object layer into the file, even if they are identical. InDesign also takes advantage of that flattened image so that you don’t have to wait half an hour for a print-res 150-layer composite to import (unless you change layer visibility in InDesign of course, in which case InDesign has to re-render the image). That makes Photoshop save a flattened version of the entire image into the file in addition to all the individual layers so that applications that cannot deal with layered PSDs can read them. a flattened version is partly caused by the fact that you have “Maximize Compatibility” turned on. I’m not 100% sure, but I’m suspecting that the increased file size of a smart object vs. have separate RGB PSDs and then export flattened grayscale or CMYK TIFs for InDesign.

However, I do have to admit that I usually work the old way, i.e. And you never have the “Wish I had kept that original” situation again. It’s also a way to have both RGB and LAB adjustment layers in a single Photoshop document without having to flatten the image first.

IMPORTING INDESIGN INTO PUBCODER UPDATE

That would make experimenting and doing rough comps much easier.īut speaking of smart objects, there is much more cool stuff you can do with them: For example, if you are printing in b/w, you can convert a layered RGB image with a “Black & White” adjustment layer into a smart object, then convert the enclosing photoshop document to grayscale mode and then go back whenever you want and change the b&w conversion settings without having to export it to a grayscale image again and update the link in InDesign. I wish InDesign had real Camera Raw support instead of just using the embedded low-res thumbnail from RAW files when placing them (which in case of Nikon have a black border to make things worse) but a regular “developed” version based on the camera raw settings in the XMP. That offers a checkbox to make the button always show Open Object (so you don’t have to hold the Shift key down to get a smart object).

Thanks, Mike!īy the way, Michael Stoddard reminded me that you can also click the blue text along the bottom of the Camera Raw dialog box to open the Workflow options dialog box. I knew the basics of using Camera Raw files as smart objects before, but for some reason I never put 2 + 2 and saw how this would help in InDesign. Make the change, click OK, press Command/Ctrl-S to save the file, switch back to InDesign, and the image is updated. Then double-click on the layer thumbnail in Photoshop and Camera Raw opens! But you still get all the benefits of Camera Raw: If you want to change your Camera Raw settings, just Option/Alt-double-click on the image in InDesign. Now you can save your file as a regular Photoshop PSD file and import it into InDesign! Okay, so we didn’t really import the Raw file into InDesign - we imported a PSD file.

If you Shift-click, the Raw file is embedded into a Photoshop file as a smart object layer. Instead, press the Shift key and the button changes to Open Object. If you click that, you’ll open the image in Photoshop. You’ll notice that in the lower right corner, there is a button labeled Open Image. Here’s what you do: When you open a Raw file in Camera Raw (either via Bridge or directly inside Photoshop), you can make any global edits you want. It’s a simple trick but has wonderful applications because Camera Raw incredibly flexible and lets you make radical changes to your image with no image degradation. I walked into Mike McHugh’s images session at The InDesign Conference today for 2 minutes and saw him present something I didn’t think was possible: Using the flexibility of a Camera Raw file inside an InDesign document. Even if it’s a workaround - a kludge, a hack, or whatever you want to call it.

IMPORTING INDESIGN INTO PUBCODER HOW TO

I love it when I learn how to do something that can’t be done.

Importing indesign into pubcoder